Colour work / Finished pages

my first 'finished' page. I still need to overlay the text...but it is essentially finished, as it would appear in the book.....just another 30 odd pages to go! 

I have softened the colours to create a more relaxed and gentle mood, the more intense colours would have been overwhelming, particularly on the spreads with multiple panels. I am pretty happy with this, a little bit of an ode to Van Gogh's Starry Night, for those art history buffs, in terms of composition and the swirlies (a VG technical term!).

Now back to painting, another two of these need to be done by the end of the week to send off to macmillan's. 

Another little colour experiment...and a little bit better.

I tried a smoother surface so I could get more fine detail in the texture. Unfortunately I only had a piece of bristol board to hand, but it did the job...now off to buy some hot pressed paper and get stretching...

Experimenting

Now that I am happy with the story and design I am moving on to colour work, and developing the final spreads. Above is an experiment with water colour on not paper (not sure why the scanner has picked up a blue hue over the eye - Gremlins!). I have tried to soften & stylise it a bit so it is less photographic and a little more child oriented, however the slightly yellow hue of the face makes him look a little sickly...I think I will do a couple more experiments over the next few days.

I have been struggling to find a book binder that will do short run/ single books for my dummy book... Blurb will do them at a reasonable price, and the right size, but you cant customise the endpapers....no good when overall design is important. Lulu don't do anything near the right dimensions, and trawling through various other book binders has proved similarly technical or cost prohibitive...so what to do?

Bind it myself! I have made a maquette using my home printer and a pretty basic stab binding technique (basically leave a tab on one side, and bind by poking holes through & sewing the pages together - googlay for plenty of tutorials). I am quite pleased with the results, and the larger format of this book works much better (approx 21 x 25cm inc bindings- see pen for scale). I am now planning on getting the pages printed on some nice paper and hand binding a few copies for the MacMillan Prize and to send out to some publishers & agents.

Dummy Book Version 2.0 & The London Book Fair

A couple of spreads from my rewrite and new business card designs for promoting the book down at the London Book Fair next week. I am hoping to meet some publishers, agents and other Children's book practitioners, gonna be a bit scary walking into a big room full of industry pro's in the big smoke all alone...time to nut up or shut up!

Note I have changed the title of the book, the original 'Timekeeper' title came from the original seed of an idea for the book when I was looking at stars and time, however I found as the book developed this element of the story became less important & overt. The new title is more reflective of the characters role/background and helps set the scene for the story... it is a little less assuming, and I like the juxtaposition of the luxurious, decorative style of the cover with the unassuming nature of the title.

A few new/ reworked  spreads for the rewrite. I am refocussing the story more around the main character and making a few tweaks to the design to improve overall legibility. I still need to write the text to accompany the new spreads... but that can wait until all the drawings are complete. I am aiming to have the new dummy book finished by the end of the week in preparation for the London Book Fair (16th-18th April).

Do it again Dummy! - it's hard to be a perfectionist.

Well having 'completed' my dummy book and done few critique sessions I have decided to undertake a bit a of a rewrite.

The process of making a picture book is very much like creating a dot to dot puzzle; you need to get just the right number of dots in the right pages so the overall image makes sense... the problem is it is all to easy to skip dots when you already know what the picture is supposed to be.

When choosing what each spread should contain I found I was focused far too much on trying to explain the plot, whereas a great deal of my story should be focussed around the main character. The end result was the events made sense but it was difficult to empathise or even like the main character so you didn't really buy into the whole thing.

So I have taken out a few pages, and rejiggered a few more...which gives me a whole bunch more work to do, but I think it will vastly improve the book overall. ( This is the new plan, blank pages are completely new pages, green post-it notes are major edits, yellow post-its are minor edits)

The moral of the story - get ideas into book format as soon as possible! flat plans are just not the same!